Author: Estelle Laure
Publisher: Wednesday Books
Genre(s): YA Historical Fiction, Paranormal, Magical Realism
Subject(s): Multigenerational, Abuse
Release Date: July 14th, 2020
Page Count: 304 (hardback)
It’s 1987 and unfortunately it’s not all Madonna and cherry lip balm. Mayhem Brayburn has always known there was something off about her and her mother, Roxy. Maybe it has to do with Roxy’s constant physical pain, or maybe with Mayhem’s own irresistible pull to water. Either way, she knows they aren’t like everyone else.
But when May’s stepfather finally goes too far, Roxy and Mayhem flee to Santa Maria, California, the coastal beach town that holds the answers to all of Mayhem’s questions about who her mother is, her estranged family, and the mysteries of her own self. There she meets the kids who live with her aunt, and it opens the door to the magic that runs through the female lineage in her family, the very magic Mayhem is next in line to inherit and which will change her life for good.
But when she gets wrapped up in the search for the man who has been kidnapping girls from the beach, her life takes another dangerous turn and she is forced to face the price of vigilante justice and to ask herself whether revenge is worth the cost.
CW: talk and depictions of domestic abuse, sexual assault, suicide
Set in 1987 against the backdrop of Santa Maria, with a girl and her mother fleeing their abusive household, Mayhem is a poetically wrought mess that disappointed me the more I read.
The core message of the story is sound and impactful, about taking control and power in an environment where you’re offered little of either, but it’s heavily stifled by a tangle of storylines and genres that gets thrown onto your lap without much fanfare. From research, it seems that the book is less of a mashup of The Lost Boys and The Craft and more of a direct retelling with a few changes made here and there. Which is a little eyebrow-raising considering how the marketing did its usual “If you like X and Y, you must check this out!” and made it out to be a book that takes elements of those films while still remaining an original, not a near-same story with a different filter. And I would have been fine with that, since I didn’t know much about the source materials to begin with, if it wasn’t obvious that the book is multiple stories awkwardly cobbled into one. It tries to fit magical witchy elements, mother-daughter relationships, new friendships, budding romance, navigation of past trauma, an abusive husband/stepfather on the loose, and a serial killer mystery in 300 pages.
It just doesn’t work.
It picks up a plotline and then pushes it aside in favour of a different one, resolves the latter with underwhelming speed, and returns to the old one only to leave it hanging or tied in the messiest knot imaginable. Characterization also suffers because of this. There are just too many people introduced all at once–Roxy, Roxy’s twin sister Elle, the three children living in Elle’s attic, Roxy’s old friends–and Roxy, the one character aside from May who should have had the main focus throughout, fades into the background in the second half. The other side characters are surface-level interesting, but again, never given enough time for me to get attached to.
The writing is beautiful, however; that’s what hooked in the beginning. And environmental storytelling is the story’s strongest suit. Laure knows how to create quiet scenes that seem to expand with each sentence, and some of the chapters read like haunting vignettes, a moment in time frozen by the lingering memories of what May and her mother endured. There are scenes that made my throat close up in empathy and anger, and the horrors of abuse and assault are depicted with care.
If Laure had just taken that and expanded on it for the rest of the book, focusing solely on the relationships between the characters and their individual pains and journey to healing, while introducing the magic as a subtle undercurrent? How complete the story might have been.
As it is, Mayhem knows what it wants to accomplish, and the emotional depth is well present, but it tries to go about it with more tools than it can hold and falls in the execution.
About the Author
Estelle Laure, the author of This Raging Light and But Then I Came Back believes in love, magic, and the power of facing hard truths. She has a BA in Theatre Arts and an MFA from Vermont College of Fine Arts in Writing for Children and Young Adults, and she lives in Taos, New Mexico, with her family. Her work is translated widely around the world.
Thank you to Wedneday Books for having me on this tour!